Prologue The last five albums in my collection of records by The Mountain Goats bringsme to the end of the letter M and a littlepast the half way point of my entire storeof vinyl LPs, but it brings me also to a place of turntable crisis. Everything sounds likeshit. I can’t get that stylus cleanContinue reading “#813: M is Still for The Mountain Goats (20, 21, 22, 23, 25)”
Tag Archives: vinyl
#812: M is for The Mountain Goats (15, 17, 19)
The next three albums in my MountainGoats collection, consecutively released, serve as a tidy little trilogy. Unrelated to each other, but I’m guessing each deeply personal to the lyricist, we have three concept albums in a row, albums that aren’t narrative necessarily, but all revolvequite specifically and rigorously arounda single subject matter. Not because ofthisContinue reading “#812: M is for The Mountain Goats (15, 17, 19)”
#810: M is for Mould, Bob (with Sugar)
The first in a series of box sets chronicling the entire recordingoutput of the grandfather of grunge, Bob Mould, Distortion: 1989-1995contains his first two solo albums post Hüsker Dü, and then three consecutive records from his next group, Sugar. Despite the factthat Sugar would normally be filedunder S, I decide to listen and writeabout themContinue reading “#810: M is for Mould, Bob (with Sugar)”
#809: M is for Mother Mother
I find almost nothing more exciting than hearing a great new band for the first time. In this case, not a “new” band, but new to me, and my discovery was a completely random internet find of a live studio performance of Mother Mother on a YouTube channel from Musora. The band played a songContinue reading “#809: M is for Mother Mother”
#808: M is for The Motels
The two tunes by The Motelsthat are part of my musical memory are the breakthrough hits, “Only the Lonely” and “Suddenly, Last Summer.”I found two albums by the band recently in somebody’s used bin, the self-titled debut, and their fifth outing, Shock, neither album of which includes these songs. I didn’t havethese albums when IContinue reading “#808: M is for The Motels”
#807: M is for Morrissey
This one is troubling, this entry about the British singer Morrissey, who emerged into fame during the 80’s with the mopey rock outfit, an undeniably great band, The Smiths. We have to talkabout that age-old question, more firmly in the public consciousnessover the last couple of decades than it has ever been: is it possibleContinue reading “#807: M is for Morrissey”
#806: M is for The Monkees
No music is more indelibly etchedin memory from my childhood than the music from Elton John, The Beatles, and The Monkees. For the first of theseI have my cousins to thank, and my dad (for allowing me to order records fromhis Columbia House club) but for my loveof The Beatles and The Monkees, I thankmyContinue reading “#806: M is for The Monkees”
#787: L is for The Lemon Twigs
When brothers Brian and Michael D’Addariofirst started making records, they were 19and 17 years old, respectively. Today, neitherof them are out of their twenties, and in theintervening decade, they’ve released six fulllength albums and one e.p. of music as The Lemon Twigs, one cover album of songs written by their dad, and Brian has releasedContinue reading “#787: L is for The Lemon Twigs”
#782: L is for lang, k.d.
I found myself in the middle of an MFA creative writing programlistening obsessively to k.d. lang, in particular these three albums, Ingénue, All You Can Eat, and Drag. Even though the first of these threewas released a couple of years earlier, I discovered her in 1995. How I came across this music, I do notContinue reading “#782: L is for lang, k.d.”
#773: K is for King, Carole
As a child I must have heard hersongs on the radio hundreds of times, and I remember distinctly that while my older brother was in his reel to reel phasehe had the album Tapestry in that format. Yeah, that was a thing: commercially availablereel to reel tapes of the great artistsof the day, late 60’s,Continue reading “#773: K is for King, Carole”
michael jarmer 