#781: K is for The Knack

As popular as The Knack was, as big of a splash as they made with their debutalbum, my understanding is that they, relatively soon after their meteoric rise to rock stardom, got some extreme push-back to lyrics that were pretty much blatantly pedo adjacent. What am I saying? The fact that “My Sharona” was writtenContinue reading “#781: K is for The Knack”

#780: Found

In the yard, just lying there in the green grass, about five or six feet from the curb, a day after garbage pickup, I found three pages of text ripped from the middle of a trashy novel, ripped from the middle of the pages, so no heading was discernible, no way of deciphering what theContinue reading “#780: Found”

#776: K is for King Crimson (72-74)

After making five albums with Yes, Bill Bruford, drummer extraordinaire, migrates in 1972 to King Crimson, John Wetton joins on bass guitarand vocals, and a new lyricist showsup, one Richard Palmer-James, the guy who would eventually co-foundthe supergroup Supertramp. On their first outing together, the strangely titled Larks’ Tongues in Aspic, it appears that RobertContinue reading “#776: K is for King Crimson (72-74)”

#775: K is for King Crimson (70-71)

There are certain recordsI have bought, entire collectionssometimes, in boxes no less, costing hundreds of dollars, of music that I have never heard, but nevertheless feel compelled, not only to hear, but to hold, to own, to possess. The literary equivalent: I’ve never read Moby Dick, say, but believe I should have, and vow toContinue reading “#775: K is for King Crimson (70-71)”

#772: K is for The Kills (with a Bonus Preamble About Kansas)

Preamble: Four Kansas albums in one dayproved too much for me. Especiallysince last night we attended The Dear Hunter concert and consumed even more prog rock. We got our daily prog allowance, I can tell you. So this morning, a quick preamble before The Killsabout the last Kansas album, The Absence of Presence. In short,Continue reading “#772: K is for The Kills (with a Bonus Preamble About Kansas)”

#770: Interlude: An American Sonnet Before the Letter K

I couldn’t bring myself today to startat the top of the letter K listening to Kansas records. I’ve listened to the entire collection alphabetically up through the letter J and I need a break. Since October I have written 78,000words about music in these poem-like-things. But I couldn’t bear to break my streak, oddly, ofContinue reading “#770: Interlude: An American Sonnet Before the Letter K”

#768: J is for Jockstrap

Georgia Ellery and Taylor Skye are the electronic experimental Englishpop duo of Jockstrap, who, with I Love You, Jennifer B, have released the only album I am aware of for which the listener gets to design their own album cover. The absolutely blank bright greenrecord jacket contains the record, of course, in translucent green, andContinue reading “#768: J is for Jockstrap”

#767: The Muses

The muses are doom-scrolling on their cell phoneswhile we mortals look for inspiration in pocket fuzz, lint traps, duty-free liquor, or by doom-scrolling onour cell phones. This can’t end well. I wrote: “She grimaced as her hand tightened into a fish.”This becomes the premise for a new novel. The muses have forgotten why they pickedContinue reading “#767: The Muses”