#810: M is for Mould, Bob (with Sugar)

The first in a series of box sets chronicling the entire recordingoutput of the grandfather of grunge, Bob Mould, Distortion: 1989-1995contains his first two solo albums post Hüsker Dü, and then three consecutive records from his next group, Sugar. Despite the factthat Sugar would normally be filedunder S, I decide to listen and writeabout themContinue reading “#810: M is for Mould, Bob (with Sugar)”

#776: K is for King Crimson (72-74)

After making five albums with Yes, Bill Bruford, drummer extraordinaire, migrates in 1972 to King Crimson, John Wetton joins on bass guitarand vocals, and a new lyricist showsup, one Richard Palmer-James, the guy who would eventually co-foundthe supergroup Supertramp. On their first outing together, the strangely titled Larks’ Tongues in Aspic, it appears that RobertContinue reading “#776: K is for King Crimson (72-74)”