#818: N is for Numan, Gary

Telekon, Gary Numan’s fourth album, the second album post Tubeway Army, begins with the most crushing slow rock synth groove of “This Wreckage” and, in that early, nasal, almost robotic, most distinctive voice, he sings the first lyric: “And what if God’s dead?” This was heady stuff for a 16 year old me, who hadContinue reading “#818: N is for Numan, Gary”

#812: M is for The Mountain Goats (15, 17, 19)

The next three albums in my MountainGoats collection, consecutively released, serve as a tidy little trilogy. Unrelated to each other, but I’m guessing each deeply personal to the lyricist, we have three concept albums in a row, albums that aren’t narrative necessarily, but all revolvequite specifically and rigorously arounda single subject matter. Not because ofthisContinue reading “#812: M is for The Mountain Goats (15, 17, 19)”

#772: K is for The Kills (with a Bonus Preamble About Kansas)

Preamble: Four Kansas albums in one dayproved too much for me. Especiallysince last night we attended The Dear Hunter concert and consumed even more prog rock. We got our daily prog allowance, I can tell you. So this morning, a quick preamble before The Killsabout the last Kansas album, The Absence of Presence. In short,Continue reading “#772: K is for The Kills (with a Bonus Preamble About Kansas)”