#832: P is for The Pineapple Thief

Progressive rock, at its worst, becomes all about the enormous chopsof each member of the band. For me, at its best, those chops are coupledwith and secondary to great songs, memorable melodies, strong pop hooks, and smart lyrics. The Pineapple Thiefhas found the perfect prog rock recipefor me. Bruce Soord is an accomplishedsongwriter, has aContinue reading “#832: P is for The Pineapple Thief”

#831: P is for Pelley, Dan, aka–D Pel

This guy’s wife, Dr. Pelley, was my chiropractorfor a time, back when I had health insurance that would cover such a thing. I was kind of smitten with her, and learned that she and her husbandplayed music together, as my wife and I do, and so we traded records, one of oursfor one of herContinue reading “#831: P is for Pelley, Dan, aka–D Pel”

#830: P is for Pearl Jam

Just as the 80’s was a kindof revolt against the 70’s, the 90’s was a kind of revoltagainst the 80’s. Only recently, in the 21st century, has musicbecome so bifurcated by genreand sub-genre and sub-sub genre, that huge movements like punk or new wave or the grunge of the 90’s seem to have evaporated rightContinue reading “#830: P is for Pearl Jam”

#829: P is for Partridge, Andy

Thank the universe for collaborationsand solo projects. I have had the good fortune of listening to Andy Partridge while moving through the letter H on that Robyn Hitchcock collab, and here I am in the letter P, arrivingat some of the very few solo things AndyPartridge has ever released on vinyl over threee.p.’s, the equivalentContinue reading “#829: P is for Partridge, Andy”

#828: P is for Parks, Arlo

Groovy, slick, smooth, personal, poetic, and very English, Arlo Parks’ first album reachedthe #3 position on the UK album charts in 2021. It’s a funky mix of hip hop lo fi drum production, jangly guitars, cool synths and organs, and Arlo’s hooky melodies, soft delivery,and earnest, conversational lyrics. This debut is nearly irresistibly cool. IContinue reading “#828: P is for Parks, Arlo”

#827: P is for Paramore

Hayley Williams is a force.I have only one, the latest, album by Paramore, and if this one recordis any indicator, these cats form a incredibly talented and versatile band, but Hayley’s vocal performances areunhinged and over the top in the mostwonderful way, bursting with energy, as wild and as spunky as anything Debbie Harry everContinue reading “#827: P is for Paramore”

#826: P is for .Paak, Anderson

I think so far in my listening challengeit must be clear: I do not have any hip hopin the collection. I do not own any rap albums. There may be hip hop moments in a Beyoncérecord, guest spots by rappers on a James Blakealbum, spoken word artists doing a thing that could not justifiably beContinue reading “#826: P is for .Paak, Anderson”

#825: O is for Owen

Fourteen years after Mike Kinsella’s debut into the music world with American Football, he releases this, his 14th! solo recording under the unlikely moniker of Owen. I think I foundAmerican Football backwards only after finding Owen first. I don’t remember, in 2013, how I found him or why I landed on this record first, orContinue reading “#825: O is for Owen”

#824: O is for Other Lives

So how does one get turnedon to a band from Oklahomadoing a kind of baroque chamberpop thing with electronics, folksy acoustics and understated and sometimes whispery light singingover the top of percolating percussion?Another pre-streaming discovery, I think I downloaded their debut 2011 album, Tamer Animals, froma service called Emusic, a musicsubscription site that allowed twoorContinue reading “#824: O is for Other Lives”

#823: O is for Ono, Yoko

I do not have any albumsby Yoko Ono. I do not have anyalbums by John Lennon and Yoko Ono. But I do have this thing, Ocean Child: Songs of Yoko Ono, a collection of recordings by various artistscovering Yoko Ono’s songs. I remember distinctly that I found this album at the annual sidewalk sale ofContinue reading “#823: O is for Ono, Yoko”