#813: M is Still for The Mountain Goats (20, 21, 22, 23, 25)

Prologue The last five albums in my collection of records by The Mountain Goats bringsme to the end of the letter M and a littlepast the half way point of my entire storeof vinyl LPs, but it brings me also to a place of turntable crisis. Everything sounds likeshit. I can’t get that stylus cleanContinue reading “#813: M is Still for The Mountain Goats (20, 21, 22, 23, 25)”

#812: M is for The Mountain Goats (15, 17, 19)

The next three albums in my MountainGoats collection, consecutively released, serve as a tidy little trilogy. Unrelated to each other, but I’m guessing each deeply personal to the lyricist, we have three concept albums in a row, albums that aren’t narrative necessarily, but all revolvequite specifically and rigorously arounda single subject matter. Not because ofthisContinue reading “#812: M is for The Mountain Goats (15, 17, 19)”

#811: M is for The Mountain Goats (02, 05, 12)

Prologue Rivaled only by XTC, The Flaming Lips and David Bowie, a tie with the formertwo artists and lagging a full mittful of albums behind the latter, I have twelve recordsby The Mountain Goats in the vinyl collection. Like a lot of bands and musicians that have captured my music heart, I was late to The Mountain Goats party. I arrived,Continue reading “#811: M is for The Mountain Goats (02, 05, 12)”

The Book I Read: Rock Star Fiction, Erasure, and Mother Love

(Books discussed in this blog: Wolf in White Van, John Darneille; Her Read, Jennifer Sperry Steinorth, and Paddock, Mary Lou Buschi) In April of 2019 I thought I would begin a series of book review blog entries titled after one of my favorite early Talking Heads songs, “The Book I Read.” So I did that.Continue reading “The Book I Read: Rock Star Fiction, Erasure, and Mother Love”