#813: M is Still for The Mountain Goats (20, 21, 22, 23, 25)

Prologue The last five albums in my collection of records by The Mountain Goats bringsme to the end of the letter M and a littlepast the half way point of my entire storeof vinyl LPs, but it brings me also to a place of turntable crisis. Everything sounds likeshit. I can’t get that stylus cleanContinue reading “#813: M is Still for The Mountain Goats (20, 21, 22, 23, 25)”

#812: M is for The Mountain Goats (15, 17, 19)

The next three albums in my MountainGoats collection, consecutively released, serve as a tidy little trilogy. Unrelated to each other, but I’m guessing each deeply personal to the lyricist, we have three concept albums in a row, albums that aren’t narrative necessarily, but all revolvequite specifically and rigorously arounda single subject matter. Not because ofthisContinue reading “#812: M is for The Mountain Goats (15, 17, 19)”

#811: M is for The Mountain Goats (02, 05, 12)

Prologue Rivaled only by XTC, The Flaming Lips and David Bowie, a tie with the formertwo artists and lagging a full mittful of albums behind the latter, I have twelve recordsby The Mountain Goats in the vinyl collection. Like a lot of bands and musicians that have captured my music heart, I was late to The Mountain Goats party. I arrived,Continue reading “#811: M is for The Mountain Goats (02, 05, 12)”

#663: D is for The Dear Hunter (Part the Second)

It took three daysto get through The Acts,five albums, eleven discs. And now I approachMigrant, a collection of prog-pop-rockso delicious, so melodic, so powerful, as to makeit one of my favoritealbums of the last decade. Released initially in 2013, interrupting The Acts in progress, and then remixedand resequenced and expanded for it’s 10thanniversary in 2023,Continue reading “#663: D is for The Dear Hunter (Part the Second)”

#662: D is for The Dear Hunter (Part the First)

In 2020, I wrote a whole thingabout these Dear Hunter kidsand how I discovered them, slowlybut surely, and how they becameone of my favorite new acts of thefirst decades of the 21st century.Now, five or six years later afterthat discovery, I remain a superfan. They are the only contemporaryband, for example, that I have seenliveContinue reading “#662: D is for The Dear Hunter (Part the First)”