First things first: Happy birthday, Bill! It’s been a super rough year. The loss of Bowie, Rickman et. al., and just days ago now, the devastating loss of Prince, makes one super conscious of the fragility of life, especially when our heroes fall, heroes who seemed to us untouchable and timeless, almost god-like. But now, involved as I have been over the last 8 years of my life in a close relationship with the Bard from Stratford-apon-Avon, I am reminded how great art never dies. Right, Bill? “So long as men can breathe and eyes can see,” or ears can hear, “so long lives this, and this gives life to thee.” Bowie, Rickman, and Prince are still with us and every time we spin one of their records or see one of their films,
they are very much alive and well, just as Shakespeare is still, 451 years later, alive and well.
So, to celebrate the timelessness of great art, the final performance of Romeo and Juliet, to be a good napowrimo student, and to inadequately express my gratitude for all three, I pen today a sonnet, another persona poem from Lord Capulet. I fought a great battle against adding two more syllables in that final line. Iambic pentameter wins the day.
Lord Capulet Interrogates Michael Jarmer in a Closing Night Sonnet
So what did you to me bring forth and what
did I give you? Imagine that we are
one soul: why must I hate Montague gut?
And why, dear actor friend, is this young star,
this boy Paris, of such interest to me?
And why must I insist Juliet wed?
It’s clear, we don’t need his royal money
and did I not say those too early bed
are marred? It’s true, I contradict myself.
I know, in part, I hoped to quell her grief;
instead I heaped it on. Her mental health
disturbed, distressed. So actor, please, be brief:
Your task demands that you do know me well;
What kind of father makes for daughter hell?