Tag Archives: poetry

#344: Who Let The Dogs Out?

They let themselves out, thank you very much.
On a warm, August night, 11 pm, something outside
catches their attention, and the larger of my two dogs
simply stands up on her hind legs and, using
the handle, opens the latched screen door.
And they run. Together. Free to run and roam.
They cross the busy street into the neighborhood
of brand new houses across the way and again,
partners in crime, they pillage, side by side.

I’m in the house cursing. I grab the double dog
lead and arm myself with a couple of biscuits,
and out I go. They will not come to me. I follow,
doggedly, into neighborhood streets. Calling after
them, but not loud enough to wake anyone
and unfortunately, not loud enough to get the
attention of my freedom-crazed pets. A bit of good
news: they make their way down a dead end.
They go to the very last house, and because
they are dogs, they sense another dog inside.
The house is dark. It’s 11:00 pm, but inside,
a little dog starts with the yapping. And all
the sensory lights outside go on. I manage,
somehow, with the treat, to capture one of them,
the door-handle dog, larger, younger than
the other, still with a degree of puppy love
for the humans in her care. She takes the biscuit
and I leash her up. Meanwhile, the other one
sets off a car alarm when she runs underneath
and I am certain that these people are coming
outside with baseball bats. They don’t. The dog
makes her way back down the street, goes into
another back yard through an opening in a fence,
and I am pissed at this one. She emerges.
I throw the treat down on to the pavement and
finally, she approaches. I’m feeling vindictive
and when she gets close enough I scoop
up the biscuit and deftly grab that collar.
No treat for you, I say. I lead them both home
and boy, do they get an earful.

Damn dogs. I love them both,
but at times like this, I really hate them.
But look at that face. And that other one.
My hatred is impossible to sustain
and I will snuggle with them both
before I turn in for the night.

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Dispatches from Writer’s Camp: All Good Things. . .

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Our time together had come to a close and I was alone in the dorm where we stayed at Macalester College for the annual Warren Wilson MFA Alumni Conference. It was strange, that quiet, after all that activity, after all that brilliant conversation, after the nightly readings and daily classes, the meals together three times a day, the walks around surrounding St. Paul, and the laughs and drinks around the common room way into the wee hours. It felt kind of spooky, surreal. Where’d everybody go? And this was not my school, my town, my home, and my plane would leave late–so there was a bizarre sense that I’d been abandoned here. On top of that, after a week of near perfect beautiful weather, it was raining. It was cloudy and dark and thunderous.

And yet, my heart and head were brimming, practically exploding with gratitude for this week of treasures and this incredible community, the likes of which I have experienced in no other place.

And after a lonely day in the dorm by myself, packing, napping, a little light reading of things I have written and some things written by my friends, I had the great pleasure and honor of an early Thai dinner with my dear friend and co-coordinator Terri Ford before she took me to the airport and sent me on my way.

I have started a practice, each time I attend a Warren Wilson MFA Alumni Conference, of doing a series of blog entries under the heading, “Dispatches from Writer’s Camp.” In some years, I might do a whole string of them, almost every day of the week-long conference, but I notice a significant change when I am coordinating in some official capacity. This year at Macalester College in St. Paul, Minnesota, I was coordinating in some official capacity. I wrote a dispatch two days before I arrived, during the conference I wrote zero dispatches, and here I am, back home in Portland, Oregon, writing the only official dispatch from the conference, several days after the fact. I was too busy to write, mostly, over the past week, and when I did have time to write, my focus was on generating new creative work.

I’m not sure how to capture the week. The task, in full blown prose paragraphs, seems daunting. I will try instead a number of bullet items that, I hope, will succinctly capture the highlights of the week.

  • Macalester is a beautiful campus surrounded conveniently by a commercial district, making it super easy to forage on foot for things we needed or to find interesting distractions if a break or some good exercise was in order.
  • In a novelty gift shop almost across the street from campus, I found a set of cocktail glasses–because it’s difficult to drink good whiskey out of a plastic cup.
  • One could walk, and many of us did, to the Mississippi River!
  • Terri Ford took me to Hell’s Kitchen for breakfast! OMG!
  • We volunteered to teach classes to each other and there were scads of great ones to choose from: the fiction of Joan Silber, the mystery and history of memoir, collaboration and cross-pollination in the arts, Jung’s shadow archetype, marketing strategies, persona poems, issues of misappropriation, the lyric essay, Elizabeth Bishop, a round-robin reading of Shakespeare’s As You Like It (in full!), diction enhancements, supportive strategies for getting started, a table reading of a play by one of our campers, and finally a film/memoir project enriched and deepened by the revelation of family secrets! Oh my!
  • This last class around Family Secrets had many of us diving into our own family histories–super relevant to moi, in particular, and to the writing project on which I am about to embark.
  • A group of us meditated every morning, opening and closing our silence with poems by Mary Oliver, William Stafford, May Sarton, and Margaret Wheatley.
  • We heard 42 absolutely stellar readings from our campers.
  • One of our esteemed Masters of Ceremony, Helen Fremont, threatened readers who went over the ten minute limit with super soaker squirt guns. Happily, these weapons were never employed or deployed.
  • We gave our readings in a church, the campus chapel–until the PA broke down–and then we moved into a space that felt more like a night club. Both venues, totally appropriate.
  • We held two writing contests, one of which was a 25 word lyric to be sung to the tune of. . . Much hilarity ensued.
  • People were workshopping all over the place in small groups, sharing their writing with each other, receiving generous and supportive feedback, learning about the enormous gifts of their fellow campers. I heard nothing but rave reviews from people in these groups. All of us, having experienced at one time or another the nightmare MFA workshop, have learned in our practice together how to jettison all of that baggage. No writers are ever harmed, damaged, or traumatized at an Alumni Conference workshop. That seems to be a given.
  • We held a noisy silent auction to raise money for Friends of Writers. Two of the most interesting auction donations: an impersonation of Ruth Bader Ginsberg on your voicemail message, and a performance of an opera aria–and lucky for us campers, the winning bidder requested that the aria be performed at the conclusion of our last night of readings. Can you say “transcendent”? I knew that you could.
  • And no alumni conference would be complete without a dance. So we danced.
  • We had 47 campers! Many of them had come to previous conferences, but a good number this year were attending a conference for the first time, and a number of those were brand new graduates of the Warren Wilson Program for Writers. Cause for celebration, indeed. But for me and others, we were sorely missing some of our buddies who have come before, but for some reason, couldn’t make it this year. And every year for the past three years we have grieved the loss of our beloved Carlen Arnett. We miss her so much, and yet, she is always present.
  • We all learned so much from each other. But on a personal note, I learned something about my own process, and perhaps, that deserves a paragraph.

Concerning my own creative output, I have discerned a pattern, one that I realize now I have been repeating all through my writing life. I will have an idea that I believe is worth writing about but I won’t know how to go about it. For example, I have, over the course of my entire career, wanted to write a book about teaching. I wrote poems here and there, I wrote essays and blog entries, letters, and sometimes (often) would work teachers into my fiction. But none of these, while satisfying in their own right, were trending toward the book I wanted to write, a book that, instead of advocating a particular practice, strategy, or argument, would instead just accurately and engagingly capture the life of this vocation I have chosen. It has taken me 30 years to find finally a form or structure that will contain the idea. It has taken the shape of a collection of micro-essays or prose poems that I have titled, “Fail Better: The American English Teacher Makes a To-Do List.” I doubt that I would have made this discovery without the gifts of the Alumni Conference. Finishing, or close to finishing that manuscript prior to arriving at camp, my challenge this year was to figure out how and what I can write toward a title that I have had swimming around my head for years now. And I think, as a result of some inspiration from the folks at Rinky Dink Press and continual inspiration from my fellow campers, I have finally found a form for the new project, a memoir written in short numbered bursts of no more than 50 or 60 words. Don’t ask me why, but this feels like a fit–and I have now discovered some momentum towards a rough rough draft.

Recently, one of those inspirational memes has been making the rounds, a list of three things you can do in order to fail at life. In a nutshell: blame, complain, and be continually ungrateful. I have decided, that in large part, my tribe of graduates of the Goddard/Warren Wilson MFA Program for Writers, and in particular the miracle of this unique alumni community and my sense of profound belonging within it, has made it virtually impossible for me to fail at life.

Cheers. Until next year!

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The chapel panorama

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The chapel

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The clubhouse

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The Mississippi

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Hell’s Kitchen

 

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Dispatches from Writer’s Camp: Countdown T-Minus a Day and Some Change

I’ve got plane tickets, I’ve got plane snacks, I’ve got a new Moleskine notebook, I’ve got the new album by GLASYS, I’ve printed and practiced my reading, I’ve chosen some poems for morning meditation, I’ve packed my copies of Monster Talk, I got a tooth crowned, I got my hair cut, I got a copy of As You Like It, I’ve listened to the playlist for the dance, I’ve answered every email, sent off the schedule, troubleshot and revised the schedule, ordered beer and wine for the receptions, made myself a packing list, purchased a pair of shorts with lobsters on them and a couple of silly t-shirts, I have communicated back and forth with my co-colluder Terri Ford, the wonder of the planet, my poet friend and partner in crime, and have almost not forgotten anything important as I do all this stuff in preparation for joining my tribe of writers for the annual Warren Wilson Alumni MFA Conference. All I have to do now is a little laundry, some packing of suitcase and carry-on, eat my last meals in the house, do a couple of drumming gigs, and wait a single day longer. I fly out Sunday morning at six flipping a.m. to St. Paul, Minnesota toward my final destination: Macalester College, which I’m told, looks something like this.

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There are very few things I look forward to more in life than joining my Wally Tribe for Writer’s Camp. I go almost every year. I fly to Massachusetts or North Carolina or California, once I didn’t have to fly anywhere because it was held in my lovely city of Portland, and when I arrive at my destination I convene and commune with the most supportive and creative and inspiring group of people I have ever come to know, with very few exceptions. We talk, we teach, we learn, we workshop, we share our work, we have meals together three times a day, we laugh a lot, and we dance–one of the only places you will ever catch me dancing.  It is, has always been, without exception, one of the most joyful experiences of my life. So I am, to put it mildly, STOKED.

This year’s trip, though, has a note of bittersweetness. I will miss my family more so than usual–because right before I leave, the very day before, my wife and my son will have already been away for a week at a camp of their own, the Alan Keown Drum Line Camp. My family has been away for a week and the moment they return I will be leaving for another week. Well, you know what they say. Absence, and not being together on your 33rd wedding anniversary, makes the heart grow fondue. I mean fonder. I must say, and I’m not joking, that I do feel a kind of fondness blossoming. I am super jazzed about meeting up with my writing buddies, but I do miss my family. I think that’s a good thing.

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#342: May 8, Soul Work

It’s May 8.
I sleep in an extra hour.
I make myself a kick-ass scrambler.
I pick my brother up
at 9 and we drive toward
I-84. There’s a bunch
of teachers on an overpass
wearing red and hanging
their banners and I honk
at them. My brother and I
make our way to the Gorge
to visit the retreat center
I have chosen for some
fall Courage work.
Afterwards, we drive
to the Vista House, and
yes, by god, it’s a vista
all right. On the way
home we stop at Edgefield
for burgers, beer, bourbon.

This day is for the kids.
My t-shirt says that I stand
for students. And I do. No doubt
about it. But I’m also struck
by the notion, the conviction,
that teachers can’t take care
of students if no one
is taking care of teachers.
I’ve had to practice self-care;
additionally, I’ve tried self-medication,
but I find I have to balance the two,
which is hard. I try to err
on the side of care.

So much about what happened
today I find totally inspiring,
all my colleagues out there in their
red shirts holding their signs,
thousands of them. But it’s also
exceedingly sad. It’s like if firefighters
had a massive demonstration to call
public attention to the dangers of fire.
People don’t understand in the way
they understand that fire can kill you
that ignorance and stupidity and poor
mental, physical, and emotional health
are just as deadly–even though it’s staring them
down every single day in the person of the
president of the United States.
Democracy is at stake and we are
well on the way to losing ours,
and losing our souls into the bargain.

Souls need tending,
They whisper their sweet nothings
into our ears, and if we can’t listen to that,
we are doomed. Soul, Jarmer, what are you
talking about? Parker J. Palmer tells us
that it doesn’t matter what we call it
as long as we call it something, as all the
great traditions have: the great mystery,
the spark of the divine, big self, true self,
inner light, inner teacher,
“the being in human being,”
the wild animal in us all, resourceful,
resilient, strong, yet shy–and in need
of the greatest respect and care.
You do that for teachers by making
the conditions of their work
as humane as you possibly can make them,
and give them not lists of standards
and administrative hoops of fire
to jump through and an impossible
student load, but the appropriate
space and time and creative freedom
to cultivate the minds, the bodies, and the
souls of their students, together.

I checked out the setting today for
some October soul work in the Columbia Gorge,
I spent time with my brother,
I took a nap, I had pizza with my family,
and I wrote this poem.
This is the best I can do.

 

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#348: On the Last Day of National Poetry Month, the American English Teacher Writes Several Minimalist Poems About Things He Finds in the Staff Lounge

Coffee

Made a single cup;
fuel needed after waking
at 4 in the morning.

Vinegar

There’s a bottle of balsamic
on the table, waiting to be
drizzled over someone’s
leftovers for lunch.

100 Hits

Here’s a copy of
Billboard’s Hottest
Hot 100 Hits, a gift to
the staff lounge
from an intern of mine
from two years ago.
His name was Chuck.

History Adoption

In an era that finds
the textbook mostly
obsolete, several choices
are on display on a table
in the staff lounge.

Vending Machines

Chips, candy, and soda.
Only one sugarless choice:
seltzer. These machines
keep humming.

Crap

There’s some crap in here
no one uses and no one wants:
desk organizers, empty binders,
old VHS tapes that Melanie left,
a 2016 copy of U.S. News &
World Report, the “Find the Best
Colleges for You” edition.

Who? 

Who will throw out the crap?
Who will clean the microwave?
It belongs to nobody.
It’s nobody’s business.

The Lounge

The principal before
the one before the one
we have now, maybe
15 years ago, bought
two burgundy love seats,
a matching chair, and
a coffee table that looks
like a box in order to
beautify the lounge
and make it  more
comfortable.

Dr. Rex Putnam Award

Candidate summaries. Please,
DO NOT REMOVE.

We Love You

in gigantic letters
taped up on the wall
from last year’s teacher
appreciation week,
maybe even from the
year before. It’s so hard
to keep track of the love.
We have to remind ourselves
by looking at this wall
every day.

 

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#347: A Prose Poem Meditation on the Penultimate Day of National Poetry Month by the American English Teacher in His Potentially Penultimate Professional Year, Ending in a Rhyming Couplet

Andrea Ngyuen

The natives are restless, the 9th graders are rowdy, won’t stop talking, interrupt almost every teacher phrase with chatter, and because my intern has the class, I am completely unruffled. It’s the penultimate day of National Poetry Month and this is my penultimate poem in prose in the April of my potentially penultimate school year as a classroom English teacher.

Over the last three days, I wrote three poems, each about travel, each ending with the same sentence. You are here. I’m reminded of that saying, wherever you go, there you are. Or the Player’s line in the Stoppard play, something like, every exit is an entrance somewhere else. Coming and going, with perfect equanimity, you are always, and I am always, right here.

After next school year, in this moment, I am almost certain that I will not be here. But uncertainty is a constant companion. I said, it feels like jumping off a cliff. Or standing on a cliff, and maybe I’m looking down at a precipitous drop or looking out on some astounding vista. It really depends on the moment. I prefer vistas to drop-offs. In this moment, I choose vistas.

I notice what this poem is doing. Without my being conscious of it, paragraphs are landing in this draft in nearly identical chunks of five lines, four that move all the way to the end of the margin, and one, the last line–two, three, and then four words long. Now, I am conscious of a pattern, and I am planning to end this stanza in prose with a short line of five carefully chosen words.

It all depends on the margins. Type this poem up in a Word document, or publish it on your blog, and things will shift. Our margins shift like this. The only margin that doesn’t shift is the first one–our births are non-negotiable; on this day, December 4, 1964, you were born. Our careers begin somewhere in the squishy regions of early adulthood, and, if we are lucky, very lucky, they end 30-some years later.

My brother worked over 40 years at a job he didn’t really like. His retirement at 62 or thereabouts was an escape. He said good riddance and walked away. And he walked away so late because there were no other options. Again, I have been stupidly lucky. Luckier, and not so lucky, as my father, who retired, like I hope to, at 55. He had full health care from the moment he left work.

But I have loved my job, and I don’t know that my father loved his. He never spoke about it. I could hardly even tell you now what it was that he did for a living. It was a government job and he worked downtown and once he took a computer class and brought home a bunch of punch cards. My son knows what I do simply by virtue of his being a student in a public school classroom. What your teacher does–that’s your Dad.

God, look at all of these books, file cabinets full of 30-years worth of handouts, lesson plans, readings, exams; check out all of this student generated art that I’ve never tossed, that quilt for The Color Purple, the portraits of the family from Geek Love, portraits of Virginia Woolf, the beautiful and huge broadside of William Stafford’s “Your Life”-the treasured haul of an English teacher’s career.

If I take all of this home my wife will murder me.
Health care will no longer be an issue, ironically.  

Abbey Nims

I don’t know who made this. A team of students. Circa 1995ish? 

 

Abbey Hayes

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#345: According to This Map

from The Atlas of Experience by Jean Klare

I have lived for a long time now in the country of Autumn, ruminating in the mountains near the capital city of Change, trying to see my way back into Summer. I know I’m going to hike my way through Somewhere on my way over the Plains of Solitude, and I may have to take a detour where Surrender falls between Ardour and Vulnerable, all three sleepy towns where no one knows my name. I understand the wind can be rough on the way to Enthusiasm, but I’m gonna make the trek down to the capital city of Growth. I hope to live there the rest of my life, but I think I would like to vacation on the Peninsula of Pleasure, see the sights at Happy, Rambling, Long Evenings, not to mention Monty Python. Someday if I have a really nice big boat, I could sail all the way around the continent from the Ocean of Peace into the Sea of Plenty, around Spring and in through the Sea of Possibilities, and I would try not to get stuck in Frozen Wastes, where the towns of Mockery, Indifference and Biting Sarcasm set their traps.

According to this map, I’m not lost, I’m just on the way. Wherever I am, I look up, and the signs say, You Are Here.

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