Welcome back, friends, to the third installment of my attempt at a literary reaction vlog. I approached it a little bit differently this time. Less text. Almost entirely vlog. I’ve created two parts. The first part is a kind of “previously, in The Magic Mountain” type of introductory video, designed to catch you up, albeit superficially, on what’s happening in the novel, 176 pages in. The second part is a new reading accompanied by my reaction in real time. I think I like this approach, except, wouldn’t you know it, technical difficulties resulted in a reaction video without audio–so, what you have here is a second take. I know, it’s kind of cheating. It was super frustrating, because most of the time, in keeping with the “reaction video” concept, the first take is the best and the one you want to keep. Oh well. Without further ado:
Part One: Previously, in The Magic Mountain . . .
Part Two: Chapter 5, Eternal Soup and Sudden Clarity . . .
Already, I find it necessary to amend the rules of the game. The Magic Mountain, by Thomas Mann, in my edition, is nearly 700 pages long. I would have you know that I am not what you could call a fast reader. Initially, I thought that each of my reaction vlogs might be about a different piece of literature. At my rate, that would mean a new reaction vlog might go up every other month or so. And while I promised in my introductory entry that I would not be reading out loud and commenting on an entire novel, it does seem kind of ridiculous to do a reaction vlog for the first four paragraphs of a novel, and then a few days later another for the first four paragraphs of a different novel, especially if the somewhat selfish goal of this project is to get myself to read more, and to read books that have been beckoning for some time! So, here is my conclusion: I intend to finish The Magic Mountain. I can see myself doing several reaction vlogs along the way. One every 50 to 100 pages, say. That way, you, the viewer, get a sense of closure and continuity. That way, I, the blogger, can finish a damn book.
Here’s another idea that might be helpful. Rather than providing a series of cold readings and reactions throughout, before each new video, I will attempt to provide some context, in other words, address what kind of twists and turns have occurred since the last reading, try to describe what I have learned that might be helpful to you as you read, watch, and listen. Ergo:
Today I read about 60 pages into The Magic Mountain. This is what I’ve learned and observed:
Our hero, Hans Castorp, is a young man studying to be an engineer, specifically one that designs sea faring vessels. His parents died when he was very young, he was raised for a time by his grandfather until his death, and then finally was raised by an uncle. Outside of his early and somewhat traumatic experience with a number of family deaths, Hans has led a life of privilege.
Hans loves to smoke cigars. He can’t imagine a life without cigars.
Hans, as is established in the first four paragraphs of the novel, is on his way from his hometown of Hamburg to Davos-Platz in the Swiss Alps. He’s headed there for two reasons. First, a doctor advised him, that after intense schooling and examinations, the 20-something year-old should have a change of scenery, take in some new air. Secondly, while he is there, he will visit his cousin Joachim for three weeks.
Joachim Ziemssen is a young army lieutenant on an extended stay inside a sanatorium in the Alps.
What’s a sanatorium, you may well ask. I did. And I found out that during the late 19th century and into the 20th, when tuberculosis killed one out of seven people living in the United States and Europe, a “cure” was believed to be rest and relaxation in a more hospitable climate inside a sanatorium, essentially, a resort for people dying of TB. Joachim does not appear to be seriously ill. In fact, many of the characters living with Joachim do not seem seriously ill–but clearly, as Joachim reports, they are, and residents are dying all the time; in winter, when travel is difficult, their bodies are sent down the mountain on bobsleds, and a resident, he says, died just days before Hans arrived for his visit, a resident who had been living in the very apartment, sleeping in the very bed, where Hans will stay for three weeks. Joachim tells Hans that most of the deaths happen “behind the scenes” and the residents are usually kept in the dark, but on one occasion Joachim witnessed the disturbing death struggle of a young woman who was, in essence, refusing to die, hiding under her bed clothes, kicking and screaming, while the doctor kept telling her not to make such a fuss.
It seems grim, yes? And yet, while it’s not a “comic” novel, there are moments of hilarity peppered throughout. Some extremely colorful characters populate the sanatorium. A Russian married couple in the apartment next to Hans are playing some really strange erotic sex games late at night. A woman can whistle with one of her collapsed lungs. And there are these wild conversations, between Joaquim and Hans, and between the two cousins and the physicians and residents of the sanatorium, that, while philosophical in nature, sometimes border on the absurd. Conversation, it seems, is a big deal in this novel. Not so much to further the plot, maybe a little bit to develop character, but mostly, it seems to me, to push forward certain thematic threads.
Time and space, baby. Which has the most influence? How are they inextricably tied? Is time a thing? Does it really exist? Can it be measured or defined, really? Why does it sometimes go by so quickly and other times so slowly? Is dying so terrible? What does it mean to be ill, or healthy for that matter?
The narrator of The Magic Mountain is a third person omniscient that sometimes refers to himself in the first person plural, the royal WE. It’s funny, especially as he seems careful not to characterize Hans in a negative light: “As is apparent, we are attempting to include anything that can be said in Hans Castorp’s favor, and we offer our judgements without exaggeration, intending to make him no better or worse than he was.”
The novel is structured in 7 total numbered chapters, but each chapter has a number of titled sections.
The prose, again, an English translation from the original German, continues to be scintillating.
That was somewhat difficult to do economically. Perhaps it will be less necessary as we move through this tome. I sense, because the essential plot of the novel has already been laid out, that catching you up, dear reader, might not be as necessary moving forward. I could be wrong about that, but as I see it, the dramatic questions seem to be thus: How will this three week stay with Joachim at the sanatorium change our good friend Hans? How is the mountain magic? Is Joachim in serious danger from his TB? Will he survive the visit? Will the questions raised by the above thematic threads be answered? Is TB contagious? Otherwise, why would a husband and wife live there together when only one of them is sick, or a family for that matter? Inquiring minds need to know. A quick little research excursion reveals that, yes, TB is contagious. It spreads, oddly enough, in the same way the coronavirus spreads. Is Hans safe? Might he contract TB? How odd that I chose this book first out of all possible books, I, who did not know what a sanatorium was three or four days ago!
Meanwhile, here’s today’s reaction video to a section titled “One Word Too Many” from Chapter 3!