#782: L is for lang, k.d.

I found myself in the middle of an MFA creative writing programlistening obsessively to k.d. lang, in particular these three albums, Ingénue, All You Can Eat, and Drag. Even though the first of these threewas released a couple of years earlier, I discovered her in 1995. How I came across this music, I do notContinue reading “#782: L is for lang, k.d.”

#781: K is for The Knack

As popular as The Knack was, as big of a splash as they made with their debutalbum, my understanding is that they, relatively soon after their meteoric rise to rock stardom, got some extreme push-back to lyrics that were pretty much blatantly pedo adjacent. What am I saying? The fact that “My Sharona” was writtenContinue reading “#781: K is for The Knack”

#778: K is for Kiss

I don’t know how I feel about this. There’s really only one album by Kissthat I think I would like to have on vinyl, and it’s not one in the bunch of four that I have here. Somewhere along the lineI stumbled or my wife stumbled upon these used editions of the first three KissalbumsContinue reading “#778: K is for Kiss”

#777: K is for King Crimson (81-03)

It would be seven years between Redand the next album from King Crimson, the cover of which would be red, adorned in the center of the jacketwith a silver Celtic knot, bearing the title Discipline. It was the first King Crimson album I would ever hear, the first King Crimsonrecord I would ever buy, theContinue reading “#777: K is for King Crimson (81-03)”

#776: K is for King Crimson (72-74)

After making five albums with Yes, Bill Bruford, drummer extraordinaire, migrates in 1972 to King Crimson, John Wetton joins on bass guitarand vocals, and a new lyricist showsup, one Richard Palmer-James, the guy who would eventually co-foundthe supergroup Supertramp. On their first outing together, the strangely titled Larks’ Tongues in Aspic, it appears that RobertContinue reading “#776: K is for King Crimson (72-74)”

#772: K is for The Kills (with a Bonus Preamble About Kansas)

Preamble: Four Kansas albums in one dayproved too much for me. Especiallysince last night we attended The Dear Hunter concert and consumed even more prog rock. We got our daily prog allowance, I can tell you. So this morning, a quick preamble before The Killsabout the last Kansas album, The Absence of Presence. In short,Continue reading “#772: K is for The Kills (with a Bonus Preamble About Kansas)”

#769: J is for John, Elton John

I ran a search of all my poststo see how many times I had written about or at least namedElton John in a blog entry.The result: nineteen times. He was my first rock star idol. I was a fourth grader and my cousins played me Goodbye YellowBrick Road from start to finish. Almost immediately after,Continue reading “#769: J is for John, Elton John”

#768: J is for Jockstrap

Georgia Ellery and Taylor Skye are the electronic experimental Englishpop duo of Jockstrap, who, with I Love You, Jennifer B, have released the only album I am aware of for which the listener gets to design their own album cover. The absolutely blank bright greenrecord jacket contains the record, of course, in translucent green, andContinue reading “#768: J is for Jockstrap”