Tag Archives: progressive rock

#669: D is for Descartes A Kant

A group from Mexico Citytakes on a band namealluding to a French philosopherand a German philosopher, respectively, and sings exclusivelyin English, while their stage banter, as far as I can tell, is delivered exclusively in Spanish. I can’t remember how I stumbled uponthis band, although it’s only been a few years; perhaps I saw aContinue reading “#669: D is for Descartes A Kant”

#667: D is for Deerhoof

I love this band but they can bedifficult to listen to. I have one DeerhoofCD, one LP, and about four or five downloadedalbums that, in lightof that difficulty, were not in heavy rotationdespite the fact that I was delighted and intriguedby every one of those albums.They are one of thosebands, and I’ve listenedto a lotContinue reading “#667: D is for Deerhoof”

#663: D is for The Dear Hunter (Part the Second)

It took three daysto get through The Acts,five albums, eleven discs. And now I approachMigrant, a collection of prog-pop-rockso delicious, so melodic, so powerful, as to makeit one of my favoritealbums of the last decade. Released initially in 2013, interrupting The Acts in progress, and then remixedand resequenced and expanded for it’s 10thanniversary in 2023,Continue reading “#663: D is for The Dear Hunter (Part the Second)”

#662: D is for The Dear Hunter (Part the First)

In 2020, I wrote a whole thingabout these Dear Hunter kidsand how I discovered them, slowlybut surely, and how they becameone of my favorite new acts of thefirst decades of the 21st century.Now, five or six years later afterthat discovery, I remain a superfan. They are the only contemporaryband, for example, that I have seenliveContinue reading “#662: D is for The Dear Hunter (Part the First)”

#630: B is for Bowie (“A New Career in a New Town,” The Box)

I “You’re such a wonderful person, but you got problems.”The second tune on Low, all one minute and 52 secondsof it, contains this gem of a lyric. It’s 1977 and records are beginning to sound reallygood, although people at thetime didn’t think so. Tony Visconti has a newtoy called a Harmonizer andit makes the drumsContinue reading “#630: B is for Bowie (“A New Career in a New Town,” The Box)”

#626: B is for Blood, Sweat & Tears

It’s 1968. Hey, I know, let’sopen up a rock recordwith Eric Satie and follow that with somewild, short, orchestral Satie variation thing, and then we’ll play the funk rock real hard with horns and organs and lyrics about gettingyourself togetherand then we’ll swingharder than any jazzband and the drummerwill just kind of go crazythrough theContinue reading “#626: B is for Blood, Sweat & Tears”

#607: B is for Beat

Prologue in Prose: This is the first time during this particular endeavor (it won’t likely be the last) when I am able to listen for the first time to and write about a record I have recently purchased. I bought this triple live record by the supergroup BEAT a few weeks ago and I abstainedContinue reading “#607: B is for Beat”

On the Second Day of 2024: Notebooks

Morning meditation two days in a row after nearly a year and a half without. This morning my feet didn’t fall asleep as I sat cross-legged on the cushion, but I did find myself somehow less focused than I was yesterday. If opening my eyes to look at the timer is any indication of aContinue reading “On the Second Day of 2024: Notebooks”

The Dear Hunter: My New Prog Rock Obsession

It starts innocently enough, and slow, with the download (I think from emusic) of a six tune extended play called “All Is As All Should Be” by a band called The Dear Hunter. This happens maybe two years ago. Undeniably a great performance by extremely gifted musicians and a singer who is both super melodicContinue reading “The Dear Hunter: My New Prog Rock Obsession”