#777: K is for King Crimson (81-03)

It would be seven years between Redand the next album from King Crimson, the cover of which would be red, adorned in the center of the jacketwith a silver Celtic knot, bearing the title Discipline. It was the first King Crimson album I would ever hear, the first King Crimsonrecord I would ever buy, theContinue reading “#777: K is for King Crimson (81-03)”

#716: G is for Gizmodrome

Okay. Super group time, it is, again. I don’t know whose brainchild this was, but Gizmodrome brings together Mark King, the bass player from Level 42, Adrian Belew, from King Crimson, Zappa,Talking Heads, Laurie Anderson, et al.(his fourth or fifth appearance now in my record collection, A to G), Vittorio Cosma, a renowned Italianjazz pianist,Continue reading “#716: G is for Gizmodrome”

#614: B is for Belew, Adrian

I’m a lone rhinoceros. There ain’t one hell of a lots of usleft in this world –Adrian Belew I hadn’t listened to this album in years, but as soon as I knew it was coming up, this lyric about the lone rhinoceros cameinto my head, unforgettable, pithy, clever. I just looked up “momur” on wiki-whatever.Continue reading “#614: B is for Belew, Adrian”

#609: B is for The Bears

By the time I get out of the B section of the alphabet, It turns outthat Adrian Belew will have appeared threetimes in three differentpoems representing three different artists. This is his second arrival, as the front man and collaborative songwriterfor a short-lived, once-reunited, fouralbum-making band called The Bears. As much as I was interestedContinue reading “#609: B is for The Bears”

#607: B is for Beat

Prologue in Prose: This is the first time during this particular endeavor (it won’t likely be the last) when I am able to listen for the first time to and write about a record I have recently purchased. I bought this triple live record by the supergroup BEAT a few weeks ago and I abstainedContinue reading “#607: B is for Beat”