I “You’re such a wonderful person, but you got problems.”The second tune on Low, all one minute and 52 secondsof it, contains this gem of a lyric. It’s 1977 and records are beginning to sound reallygood, although people at thetime didn’t think so. Tony Visconti has a newtoy called a Harmonizer andit makes the drumsContinue reading “#630: B is for Bowie (“A New Career in a New Town,” The Box)”
Tag Archives: music
#629: B is for Bowie (“Who Can I Be Now?” The Box)
I didn’t rememberliking Diamond Dogsall that much at the firstlisten, but today it’s freshand weird and good.I’d have to study the lyricspretty carefully to understand the Orwell references beyond the titles, “We Are The Dead,”“1984,” and “Big Brother,” but I’m not going to do that; I rather just letthe record wash behindme as I toolContinue reading “#629: B is for Bowie (“Who Can I Be Now?” The Box)”
#628: B is for Bowie (“Five Years,” The Box)
I “Ground Control to Major Tom,”are likely the first words any of usever heard from David Bowie. Maybe I was five, and for yearsI would hear that distinctive voiceon the radio and knew the hits, but my older siblings, the arbitersof new music into the householdnever brought home a Bowie album. I didn’t start buyingContinue reading “#628: B is for Bowie (“Five Years,” The Box)”
#627: B is for The Boomtown Rats
It is difficultto put into wordswhat The Boomtown Ratsmeant to me as an aspiringpunk rocker and 16 year-old.Attracted mostly to music from across the bigpond, XTC, Elvis Costello, and these guys, these guysespecially, gave voice to every creative vibration pulsating through my little brain. Bob Geldof, that gangly, Irish punk, with his imprecise, manic, snarlingContinue reading “#627: B is for The Boomtown Rats”
#626: B is for Blood, Sweat & Tears
It’s 1968. Hey, I know, let’sopen up a rock recordwith Eric Satie and follow that with somewild, short, orchestral Satie variation thing, and then we’ll play the funk rock real hard with horns and organs and lyrics about gettingyourself togetherand then we’ll swingharder than any jazzband and the drummerwill just kind of go crazythrough theContinue reading “#626: B is for Blood, Sweat & Tears”
#623: B is for Black Midi
I heard Black Midithe first time in the video for “John L,” a.k.a.“John 50,” which must have been the first single from the 2021 Cavalcade album, the band’s sophomoreeffort. Visually insane, a group of dancers in nude-beige body suits, in clown-like white face, wearing wigs, cavortingand contorting wildly around some obelisk figure with armsand a single eyeball. Musically, it was like a marriage between King Crimson and Primus, but weirder, noisier, aContinue reading “#623: B is for Black Midi”
#622: B is for Black Country, New Road
I It’s 2021, pandemic winding down, civilization returning somewhat to normal, and two artists, right next to each other in the alphabet, breakout from jolly ol’ England, two experimental and unconventionalyoung bands bringing togethera regular smorgasbord of influencesfrom the progressive and art rockmovements of the last decades. The first of these, this band called BlackContinue reading “#622: B is for Black Country, New Road”
#620: B is for Bird, Andrew
I He’s a whistler. He does the whistlingfor Walter, the muppet, in one of the Muppet movies.More than a decadeago (maybe two!) an intern of mine turned me on to Bird.Back in the oughts of this 21st century, I usedto purchase records for download, before streamingwas a thing. For a shorttime I subscribed to aContinue reading “#620: B is for Bird, Andrew”
#615: B is for Belle and Sebastian
I I had never consideredthe origin of the band’s name. I googled that. Now I know it comes from a French children’s book about a boy and his dog. I wonder if Belle is the dogor Sebastian is the dog, and the reason for my hesitationis the surprising placementof the names in the title. Wouldn’tContinue reading “#615: B is for Belle and Sebastian”
#608: B is for The Beatles
I I couldn’t have beenmore than five or sixyears old, sitting on the floor of my sister’s bedroomin front of her portable suitcase record player spinning Sgt. Pepper’s Lonely Hearts Club Bandover and over. Too youngto understand the magnitudeof their success or brilliance, and too young to be susceptible to whatever commercial influences mighthave beenContinue reading “#608: B is for The Beatles”