I have a show tonight with Here Comes Everybody, a band my wife and I formed together 40 years ago. This show is remarkable or significant for a number of reasons. It’s a record release party, as we celebrate and release on vinyl for the first time a 20th anniversary edition of our album Submarines.Continue reading “We Interrupt Our Regularly Scheduled Program So That Michael Can Write About His Own Band”
Tag Archives: rock
#672: D is for Dirty Projectors
I’d forgotten how crazy and greatthis music was. Claps, subsonicbass, acapella female voices, nutty lyrics, great, rubbery, pitch-perfect, jazzy tenor lead vocals, gnarly guitar, a goofy and groovy mix of real drums and machines, odd time signatures, impossible sounding figures, warbley and wobbly synthesizers,suddenly a string section, female lead vocal here and there,abrupt stops andContinue reading “#672: D is for Dirty Projectors”
#671: D is for Devo
Are we not men? We are Devo. A rare instance during my buddingmusical identity, discovering, or hearingfor the first time, a band’s debut album.Most of my all-time favorite bandsI heard for the first time on their thirdor forth record (XTC, Boomtown Rats, Elvis Costello, Talking Heads, Japan). After all, I was just a kid. IContinue reading “#671: D is for Devo”
#670: D is for Destroyer
I first heard Dan Bejar’s voiceon The New Pornographers’ records, and I thought to myself, what the hellis that? A voice, not really similarto, but along the linesof a Neil Young–a totally uncharacteristic kind of voicefor rock music, but simultaneouslyperfect for it. At first, I didn’t like it, but there was some hook,some element ofContinue reading “#670: D is for Destroyer”
#669: D is for Descartes A Kant
A group from Mexico Citytakes on a band namealluding to a French philosopherand a German philosopher, respectively, and sings exclusivelyin English, while their stage banter, as far as I can tell, is delivered exclusively in Spanish. I can’t remember how I stumbled uponthis band, although it’s only been a few years; perhaps I saw aContinue reading “#669: D is for Descartes A Kant”
#667: D is for Deerhoof
I love this band but they can bedifficult to listen to. I have one DeerhoofCD, one LP, and about four or five downloadedalbums that, in lightof that difficulty, were not in heavy rotationdespite the fact that I was delighted and intriguedby every one of those albums.They are one of thosebands, and I’ve listenedto a lotContinue reading “#667: D is for Deerhoof”
#665: D is for The Decemberists
First, I almost violently dislike harmonicas, and it’s the first thing I hear on the openingtrack of The King Is Dead, an album I haven’t listened to in years, not since its release way back in 2011, I’d guess.An early fan, I think I have nearly all of their firstalbums on CD. I liked thatContinue reading “#665: D is for The Decemberists”
#663: D is for The Dear Hunter (Part the Second)
It took three daysto get through The Acts,five albums, eleven discs. And now I approachMigrant, a collection of prog-pop-rockso delicious, so melodic, so powerful, as to makeit one of my favoritealbums of the last decade. Released initially in 2013, interrupting The Acts in progress, and then remixedand resequenced and expanded for it’s 10thanniversary in 2023,Continue reading “#663: D is for The Dear Hunter (Part the Second)”
#662: D is for The Dear Hunter (Part the First)
In 2020, I wrote a whole thingabout these Dear Hunter kidsand how I discovered them, slowlybut surely, and how they becameone of my favorite new acts of thefirst decades of the 21st century.Now, five or six years later afterthat discovery, I remain a superfan. They are the only contemporaryband, for example, that I have seenliveContinue reading “#662: D is for The Dear Hunter (Part the First)”
#656: C is for Costello, Elvis (20/22)
20: Hello, Clockface Let’s begin with a middle easternsoundscape and a spoken-word thing, “Love is the one thing we can save;” follow that up with a trashy punk number, “I’ve got no religion/ I’vegot no philosophy;” and third, a kindof demented sounding country song. Here’s a jazz ballad, replete with a horn section and trumpetContinue reading “#656: C is for Costello, Elvis (20/22)”
michael jarmer 