progressive pop – michael jarmer

Even though the first trackon the album Shields is noisy AF, noise is not most often the Grizzly Bear game. Skilled musiciansleaning into a kind of psych-prog pop, their arrangements are dense, the instrumental work is accomplishedand interesting, the drummer playsbeats that are unconventional, orchestral, and Ed Drost has the voice of an angry angel.Continue reading “#723: G is for Grizzly Bear”