I must confess right away my affinity for singers who soundlike Kermit the Frog. It’s a soft, comforting tenor with just a little bit of nose-forward. It’s not an exact match, but if you listen to Benjamin Gibbard, close youreyes, and imagine Kermit, you’ll see what I mean. Codes and Keys was one of thefirstContinue reading “#664: D is for Death Cab For Cutie”